Tuesday, 20 November 2012

Set Requirements continued.

Today I arranged a meeting with the designer, scenic artist and technical supervisor to help establish how we are progressing with the set. Below are the additions I made to my notes.


Set Plan 19th November 2012. My notes taken from a meeting with the designer, scenic artist and technical drawing supervisor on 20th November 2012.
Zangler’s Shop.
·        Two moving frames, being made by the carpenter and then having a black wash. Made, ready to paint.
·        Two mannequins, sourced. Three mannequins 2 female, 1 male.
·        Counter, dress with wood and then it needs painting, what effect, flat or will there be drawers? On the 29th dress the one they’ve been using in rehearsals. The designer decided on MDF to decorate the counter. The scenic artist and I gave our concern that it would not have a grain however the designer chose this. We therefore need three; “plain and wooden” door knobs as described by the designer.
·        Stool. Sourced but needs painting. The same colour that the chairs are being painted (dark brown). I am going to check with the director that it is ok to paint anything that was from the acting store.
·        Till, Vintage toy one, sourced, ok? Sourced, designer agreed this with the director and stage management. Could need dressing.
·        Broom, sourced? Use broom from Cementville.
·        Flooring? Black gradient to front – interior. Cobble stones that fade to black – Exterior.
·        Newspaper, Viennese, what kind of newspaper do you want? E-bay, enough time? Ask the director if he has rehearsed with this? Moves around a few times in the design.
Madame Knorr’s.
·        Polystyrene heads, sourced. Would have to be covered with fabric? I researched and found out that Eduard Simon invented Polystyrene in 1839. Are we using the ones in rehearsals?
·        Fabric drops down from larger of the frames, could this be organza (we had some cream from the archive that was used for Canterbury Tales, is this suitable?), which is tied at the back so that it can be easily untied during the performance. Has something similar to this been rehearsed? The designer said this would be good however I will check with the director that this is ok, as he will need to rehearse this.
·        Hats, have we got something suitable in the store, are there spare hats that the designer has sourced for the costumes and wants to use? The costume designer is choosing these.
·        Large round mirror. Check with the director about this, as it is not on the props list.
·        Coat stand, sourced. The designer would like it to be painted the same colour as the chairs. ASMs in costume will bring props and set on and off stage.
Imperial Garden Café and Imperial Garden.
·        2 tables (these can be taken through the props door on the set) with 2 covers (to floor), fastened down, so they don’t fall off when taken off stage? Could be Velcro as then we can change this easily for Miss Blumenblatt’s. One cover - double sided for Miss Blumenblatt’s. The designer has made two out of calico which she would like to use.
·        Cutlery and plates for 6 places. Sourced by ASMs –following items.
·        Champagne bottle. “
·        Tea lights and holders. “
·        6 cups and two large tankards, sourced? “
·        6 chairs. Sourced but need painting.
·        Screen, needs re-covering, what fabric are we recovering it with? Gold edging. Look in rehearsals.
·        Newspaper still there.
·        Tea light and holder x2. ASMs
·        Fake Cake. “
·        Lobster in a covered tray, never seen? “
·        Leaves and vines, ‘outside’. The designer requested that these could be made on a wooden stick so they can be taken on to the set for Miss Blumenblatt’s garden. Some military camouflage netting has been sourced by the designer, just need to ok this with the director and then buy it.
·        Garden table and two chairs. Talk to the director about this, as there is not enough room behind the set for these.
·        Garden lanterns x3. Need to be sourced.
·        Food Trolley. We have one however it might need dressing; ask the director if we can change this if necessary?
Miss Blumenblatt’s.
·        Rug. The designer said this could be cut, check with the director.
·        New table cover, floral fabric (to floor). Source something suitable.
·        Newspaper remains on set.
·        Oval mirror comes back on stage.
·        Two candlesticks and a flowerpot, sourced. Buy real flowers for the performances as Miss Blumenblatt takes two out and gives them to characters. This would also look much better than fake flowers and the designer agreed.
·        Organza draping added as curtain in window to the garden. Rolled up, tied and dropped down. Has this been rehearsed?
Miss Blumenblatt’s Garden.
·        Vines and lanterns moved to the inside of the stage (SR).
·        2 shrubs, flat boards, real or painted. Could these come through the swing doors? The designer chose to cut this.
·        Ladder, sourced. 3 options available, the designer has to choose and inform the scenic artist of any dressing that will need doing.
·        Tree. The designer chose to cut this.
*FLAMEPROOF ALL FABRIC*
Shopping List.
o       Door knobs (3) for counter.
o       Newspaper.
o       Vines.
o       3 garden lanterns.
o       Fabric for Miss Blumenblatt’s table cover and Imperial Garden Café covers.
Makes.
o       Counter is being adapted on the 29th. Apply MDF and knobs.
o       Organza draping.
o       Table covers – 2 with one that’s double sided for Miss Blumenblatt’s.
o       Gold edging on the screen.
o       Leaves and vines ‘outside’.

Monday, 19 November 2012

Set Requirements and Planning.

Today the technical supervisor and I marked out the set (doors, flaps and windows) in the Winton Boys Brigade hall so that the director could see these elements and work with them. I found that when talking to the director his view reinforced my understanding of the importance of having the the set elements in rehearsals, otherwise it can be too late when it gets to the technical rehearsals.
Below is a list of the set requirements I made so that the designer, scenic artist, the technical drawing supervisor and I know how the set is progressing and can plan how elements will be built or made and what has been sourced already. For tomorrow I have arranged to have a meeting with the designer so that we can discuss everything together as a creative team.

Set Plan 19th November 2012.
Zangler’s Shop.
·      Two moving frames, being made by the carpenter and then having a black wash.
·      Two mannequins, sourced.
·      Counter, dress with wood and then it needs painting, what effect, flat or will there be drawers?
·      Stool.
·      Till, Vintage toy one, sourced, ok?
·      Broom, sourced?
·      Flooring?
·      Newspaper, Viennese, what kind of newspaper do you want?
Madame Knorr’s.
·      Polystyrene heads, sourced.
·      Fabric drops down from larger of the frames, could this be organza (we had some cream from the archive that was used for Canterbury Tales, is this suitable?) which is tied at the back so that it can be easily untied during the performance. Has something similar to this been rehearsed?
·      Hats, have we got something suitable in the store, are there spare hats that the designer has sourced for the costumes and wants to use?
·      Large round mirror.
·      Coat stand, sourced.
Imperial Garden Café and Imperial Garden.
·      2 tables (these can be taken through the props door on the set) with 2 covers (to floor), fastened down, so they don’t fall off when taken off stage? Could be Velcro as then we can change this easily for Miss Blumenblatt’s.
·      Cutlery and plates for 6 places.
·      Champagne bottle.
·      Tea lights and holders.
·      6 cups and two large tankards, sourced?
·      6 chairs.
·      Screen, needs re-covering, what fabric are we recovering it with?
·      Newspaper still there.
·      Tealight and holder x2.
·      Fake Cake.
·      Lobster in a covered tray, never seen?
·      Leaves and vines, ‘outside’.
·      Garden table and two chairs.
·      Garden lanterns x3.
·      Food Trolley.
Time period for setting and removal of props and objects?
Miss Blumenblatt’s.
·      Rug.
·      New table cover, floral fabric (to floor).
·      Newspaper remains on set.
·      Oval mirror comes back on stage.
·      Two candlesticks and a flower pot, sourced.
·      Organza draping added as curtain in window to the garden.
Miss Blumenblatt’s Garden.
·      Vines and lanterns moved to the inside of the stage (SR).
·      2 shrubs, flat boards, real or painted. Could these come through the swing doors?
·      Ladder, sourced.
·      Tree.
*FLAMEPROOF ALL FABRIC*         

Friday, 16 November 2012

Production Meeting and Rehearsals.

Today I went to the production meeting and stayed on to watch some of the rehearsals to get more of an idea of the props and how the set is being used etc.
These are the notes I had from the first production meeting (1st November):

·      Rehearsals: Goat and Tricycle 1 week, Winton Boys Brigade 2 weeks and University 1 week.
·      Stand in furniture for rehearsing.
·      All the doors swing both ways, cladding, double skinned.
·      Doors swing upstage.
·      Cash Register is part of the set rather than the props.
·      Windows, garden hinge back.
·      Goat and Tricycle 10am 12th November, design presentations.
These are my notes from the production meeting today:
Screen needs decoration both sides. What kind of fabric is this? Use the one they are using for rehearsals.
Lights on the tables (tea lights) and menu.
8 chairs, do we have these in props store, designer has to approve.
Cover the counter with fabric. The director doesn't want it to be silver on top.
Constructing Monday/Tuesday (week beginning 26th) Painting Wednesday till Friday.
Can we get the tables out of the doors, use the tables they rehearsed with-measurements.
Finish of the floor changed. Painting finishes at the interior then it goes to cobble stones and then fades to black. Planks for floor, might look like a sauna?
Monday morning mark out the set in the Winton Boys Brigade.
8 chairs wooden with no arms. Bentwoods, cafe style.
Tea lights and birthday candles needed.
Rehearsal Notes:
From p126. Miss Blumenblatt's.
Kitchen mid stage right.
2 separate flowers needed in vase, handed out.
Stage left upstage, table with 4 chairs. Wicker chair stage right.

Wednesday, 14 November 2012

Set Construction and Painting.

Today I assisted with the construction of the sets for Cementville and On The Razzle. This has given me more of an understanding of how certain elements are constructed and the amount of time it takes to build things. Therefore I think it has helped my understanding of set design and the logistics of construction, time period and the importance of accurate measurements. Below: Extending the wall under the balcony.
 Modifying a cupboard for Cementville.

 Extended wall with room for a person to walk through.


 Finished structure with ply to be added to hold it together and keep it strong for the brick texture to be applied.
 Re-organising the props cupboard and finding another use for the in the round seating blocks as shelving.

Monday, 12 November 2012

On The Razzle, Set Assisting.

Today I went to the design presentations for On The Razzle to help to give me an idea of how the set will be used. I am looking forward to working on a production that is in a completely different period to The Canterbury Tales and I am intending to take all my knowledge and skills collected from designing and realising the set for  The Canterbury Tales and using them to help my set assisting work.

Sunday, 11 November 2012

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